About Us

Hailed for producing “the most surprising and brilliantly innovative collaborations,” Bach Aria Soloists curates and delivers their critically-acclaimed concert series presenting the genius and relevance of Johann Sebastian Bach, his contemporaries, and those he inspired to today for our community, through exhilarating, multi-genre collaborations and BAS’ FREE BachReach education in the schools and for seniors. The ensemble’s repertoire is adventurous and broad, including chamber music from Renaissance to Contemporary, vocal arias, Bach-centered and inspired chamber music and arias, Tango and new living composer commissions. Their signature arrangements can be heard in every concert bringing ancient and modern music to new life.

Bach Aria Soloists is led by Artistic Director-Founder-violinist Elizabeth Suh Lane. The Soloists include sparkling soprano Sarah Tannehill Anderson; multi-talented Elisa Williams Bickers, harpsichord-organ-piano; and acclaimed cellist Hannah Collins. In 2022 and 2016, Bach Aria Soloists was awarded the USArtists International grant from the Mid-Atlantic Arts Foundation, National Endowment for the Arts and the Mellon Foundation. They were selected as a Finalist in the U.S. State Department’s Cultural and Educational 2022 American Music Abroad program and named The Arts Organization of 2020 by the Missouri Arts Council.

Bach Aria Soloists’ new recording Le Dolce Sirene has received five star, glowing reviews from national and international media:

Five Stars: A brilliant and captivating recording.” Ken Meltzer “a magical tour de force” Gramophone “The recording is excellent…refreshing as spring water and performed and recorded to the highest standards, this disc goes straight to my Want List shortlist.” Colin Clarke, Fanfare Magazine

Bach Aria Soloists has been invited to perform with trumpeter Rodney Marsalis at the Cayman Arts Festival in 2024. BAS was invited as Artist-in-Residence at the 2022 Thailand International Composition Festival. They presented the world premiere of Narong Prangcharoen’s Reticence for Soprano, Violin, Cello and Harpsichord composed for BAS Founder Elizabeth Suh Lane; led a master class with composition students, and performed two concerts of diverse repertoire from Bach to Prangcharoen.

Collaboration is integral to Bach Aria Soloists’ mission. Artistic partners have included internationally renowned musicians, dancers, scholars, actors, artists, incl: Dr. Christoph Wolff; Trumpeter Rodney Marsalis; Grammy-winners- bandonéonist Héctor Del Curto and pianist Gustavo Casenave; saxophonist Bobby Watson; the Grammy-winning Kansas City Chorale; Kauffman Center for the Performing Arts; Heart of America Shakespeare Festival; contemporary dance ensembles Elizabeth Koeppen of Parsons Dance, Wylliams/Henry Contemporary Dance, the Owen/Cox Dance Group, and many more!

BachReach is BAS’ innovative education program that has served tens of thousands of students presenting interactive music and multi-disciplinary showcases for urban and suburban schools; Artistic Director Elizabeth Suh Lane conducts Orchestral/Chamber music clinics and masterclasses for the top high school programs in the region. BachReach is FREE to our school partners and senior centers, thanks to our benevolent BachReach sponsors. Contact us below if your students would like to experience BachReach at your school or senior center.

 Bach Aria Soloists

 

Elizabeth Suh Lane


“Elizabeth is a marvelous soloist and chamber musician and someone who exemplifies the most accomplished and creative aspects of our finest musicians today.“ 

–  Michael Tilson Thomas

Elizabeth Suh Lane
Founder, Executive-Artistic Director, Violin

Elizabeth has performed across the globe as a chamber and orchestral musician in the finest concert halls – Carnegie, Suntory, Salzburg Festspiele, Berlin’s Philharmonie, Helzberg, Theatre des Champs Elysee, the Barbican, to name a few. She has concertized throughout the world as a first violinist with the London Symphony Orchestra under directors Sir Colin Davis, Michael Tilson Thomas, André Previn, Mstislav Rostropovich, Pierre Boulez, among many others; she toured with the Chamber Orchestra of Europe under Claudio Abbado, Nikolaus Harnoncourt, Gidon Kremer; and with the Academy of St. Martin-in the-Fields under Sir Neville Marriner. She has been invited to perform in numerous international festivals incl: Tanglewood, Britten-Pears, Schleswig–Holstein, Pacific Music, the Carmel Bach Festival. Elizabeth has performed as a substitute with the Chicago Symphony Orchestra and served on the faculties of the Snowpond Chamber Music Seminar in Maine and the Brian Lewis Young Artists‘ Program instructing advanced students. She was Artistic Director of the Kansas City String Quartet Program for twelve years leading the national faculty and students to excellence through string quartet preparation, coaching and performance.

Elizabeth is founder-Executive-Artistic Director and violinist of the Bach Aria Soloists. Her leadership has brought world-class collaborations to Kansas City to partner with BAS, incl: the world’s preeminent scholar of Bach Dr. Christoph Wolff; Narong Prangcharoen, whom she commissioned to compose DIALOGUE for BAS’ 15th Anniversary; and Susan Kander who composed Partite Americaine in 2004. Elizabeth invited friend/trumpeter Rodney Marsalis to join BAS for their headlining Evening with Rodney Marsalis; and radio personality-composer Bill McGlaughlin, who presented BAS’ live radio show – Inspired by Bach – broadcast on Kansas Public Radio. McGlaughlin remarked, “Elizabeth is a real virtuoso musician, and what the Bach Aria Soloists are doing is of the highest quality in the most artful manner, the way it should be done.

Elizabeth has vast experience with chamber music performance and coaching throughout her career on two continents. She was featured on International Television Service- KCPT’s Women and Girls Lead film series and has been broadcast on Kansas Public Radio and KCUR on numerous occasions. In addition to the supremely talented women of BAS, she has performed with excellent colleagues Matt Haimovitz, Anna Lim, Judith Busbridge, Jo-Ann Sternberg, Robert Satterlee’s Piano Trio for a series of concerts and master classes in Ann Arbor and Bowling Green; and with the Maia Quartet for their final concerts. Her string quartet was named the Ensemble-in-Residence at Tanglewood in ’88. Elizabeth was invited as a Fellow for four summers to Tanglewood and was the recipient of the Gustav Golden Award. She had the distinct honor of performing with the orchestra for Leonard Bernstein’s memorial service at St. John the Divine in 1990.

Elizabeth fulfills her love of teaching by mentoring a studio of young violinists who have won scholarships to Harvard, Juilliard, Eastman School of Music, Cleveland Institute of Music, UCLA, Michigan State, Washington University, Case Western, among others. She conducts Orchestral Clinics for thousands of students throughout the metropolitan region via Bach Aria Soloists’ BachReach offering FREE innovative, interactive education to schools and seniors, thanks to BAS’ generous BachReach funders. She was also a member of the LSO Education team training teachers and students in schools across Great Britain. The Asian American Chamber of Commerce honored Elizabeth with the Professional Leader of the Year Award for her success and significant contribution to music and education in the community and the Youth Symphony of Kansas City selected Elizabeth for the 2023 Excellence in Music Education Award.

Elizabeth was a Phi Kappa Phi Graduate Fellow and Broadus Erle Memorial Scholar – awarded to the most outstanding string player at Yale University where she studied with Syoko Aki and served as Assistant to Baroque violin specialist Jaap Schröder. She was a Chancellor’s Scholar at UMKC where she studied with Tiberius Klausner.


Sarah Tannehill Anderson


“Her crystalline tone, impeccable pitch, supple and expressive phrasing, and sparkling coloratura are all exemplary.”  

Ken Meltzer, Fanfare Magazine

Sarah Tannehill Anderson
Soprano

Sarah Tannehill Anderson is an extremely versatile musician who excels at opera, oratorio, choral music, contemporary works, and art song. In addition to being soprano of Bach Aria Soloists, she has performed with the Opera Company of Philadelphia, Boston Lyric, Opera Omaha, Fort Worth Opera, and the Chicago Symphony Orchestra.

In Kansas City, Sarah is a member of the Lyric Arts Trio and former soprano with the Kansas City Chorale with whom she recorded five albums.

Sarah has won two Grammy Awards for her work with the Kansas City Chorale. She is a featured soloist on the Chorale’s recording, Life & Breath – Choral Works By René Clausen, which won the Grammy Award in 2013 for Best Choral Performance. In 2016, Rachmaninoff: All-Night Vigil won the Grammy for Best Choral Performance. Sarah is nominated for a 2022 Grammy for her work with The Saint Tikhon Choir’s Liturgy of St. John Chrysostom by Benedict Sheehan. She has performed with many other regional ensembles including the Kansas City Symphony, the Kansas City Chamber Orchestra, the New Ear Ensemble, the Kansas City Ballet and the Heartland Men’s Chorus.

Sarah is the founder of Raise Your Voice a digital hub for vocal training, and resides in the Union Hill neighborhood with her husband, baritone and music educator Sam Anderson.


Elisa Williams Bickers


a grand performance by Elisa Williams Bickers, but one that retains miraculous clarity. ” 

Colin Clarke, Fanfare Magazine

Elisa Williams Bickers
Harpsichord, Organ, Piano

Dr. Elisa Williams Bickers, FAGO, is the harpsichordist, organist, and pianist for the Bach Aria Soloists. She is the associate director of music and principal organist at Village Presbyterian Church in Prairie Village, Kansas. She performs regularly in recital as a solo organist, harpsichordist, and accompanist, including with the Kansas City Symphony, Te Deum Chamber Choir and the Grammy-winning Kansas City Chorale. She has served on the faculties of the UMKC Conservatory and Washburn University as instructor of organ and harpsichord.

A native of Clinton, Maryland, Dr. Bickers began her organ studies with the Potomac Organ Institute. She has degrees in church music and organ performance from Texas Christian University and the University of Kansas. Her teachers have included Dale Krider, Joseph Butler and Michael Bauer. She was awarded the 2009 Carlin Award for excellence in teaching, the highest honor possible for graduate students at KU. She has competed and won prizes in the William Hall Competition, NYACOP and the International Buxtehude Competition. Most recently, she was awarded the Fellow certificate of the American Guild of Organists, the Guild’s most prestigious certification.

Dr. Bickers guided the installation of Richards, Fowkes & Co. (Opus 22) pipe organ at Village, which is a landmark instrument in this city. She was also the chair for New Music for the 2018 American Guild of Organists National Convention.


Hannah Collins


Her performance is top-notch, with sensitivity and variety that is always appropriate for the style of the music and spot-on interpretations.

– Marvin J. Ward, Classical Voice of North Carolina

Hannah Collins
Cellist

Cellist Hannah Collins is a dynamic performer who uses diverse forms of musical expression and artistic collaboration to build community. Winner of the Presser Music Award and De Linkprijs for contemporary interpretation, she takes an active role in expanding the repertoire for the cello by commissioning new works and co-creating interdisciplinary projects—most recently working with visual artist Antonia Contro and violinist Clara Lyon on Correspondence, a multimedia installation exhibited at the Carrie Secrist Gallery in Chicago. Resonance Lines, her solo debut album on the Sono Luminus label, is an “adventurous, impressive collection of contemporary solo cello music,” negotiated “with panache” (The Strad), pairing music by Benjamin Britten and Kaija Saariaho with commissioned works by Caroline Shaw and Thomas Kotcheff. 

Over the past decade, New Morse Code, her “remarkably inventive and resourceful duo” (Gramophone) with percussionist Michael Compitello, has developed projects responding to our society’s most pressing issues, including The Emigrants, a documentary chamber work by George Lam, dwb (driving while black), a chamber opera by Roberta Gumbel and Susan Kander, and The Language of Landscapes, a multimedia work by Christopher Stark addressing the urgency of the climate crisis. They were named the winners of the 2020 Ariel Avant Impact Performance Prize which supports the development of new works addressing sustainability and scientific innovation. 

Solo and chamber music performances have taken Hannah to festivals such as Orford Centre d'arts, Kneisel Hall, Aldeburgh Festival, and Musique de Chambre à Giverny. She is a member of the Bach Aria Soloists, Cantata Profana, and Grossman Ensemble, and has recently performed with The Knights, Decoda, and A Far Cry. Praised for her “incisive, vibrant continuo” playing (S. Florida Classical Review), Hannah also appears regularly as a Baroque cellist with the Sebastians, Quodlibet Ensemble, and Trinity Baroque Orchestra.

Hannah earned a B.S. in biomedical engineering from Yale College and holds degrees in music from the Yale School of Music, the Royal Conservatory of The Hague, and City University of New York. She is an alumna of Ensemble Connect, a fellowship program of Carnegie Hall, The Juilliard School, and Weill Music Institute, and is currently Associate Professor of Cello at the University of Kansas.  www.hannahcollinscello.com